Many ways exist to shoot surf, and I enjoy trying them all, from freeze-frame peeks at their crashing complexity, to wide-view scenes day or night, or in between, to the abstract, or to longer, waterfall-like, feathered exposures in the blue hour, such as this. I’d like to say it’s all about the art and craft of photography, but honestly, it’s also about a more primordial yet cherished experience: the chance for this ocean-loving inland dweller to spend time inhaling the salt air and hearing the crashing waves.
5 SSE Bar Harbor ME (6 Oct 22) Looking E
44.3208, -68.1881