After the Part 1 shot with the stalwart midrange focal-length lens, I pulled out the zoom camera with its big, heavy metal tube lens, affectionately known as the “sewer pipe”, and focused on the farther elements, reddening with time, but also with distance as sunlight traversed more of the blue-filtering troposphere. A richly variegated array of mostly high clouds swept across the sky, reflecting different intensities and tones of bright gold to rust-red back to sensors in both the camera and the eyeballs. It was as if every conceivable subdivision of the field of view was its own unique sky. Then I let the tones naturally redden even stronger in the distance and zoomed way in for Part 3…
Norman OK (19 Oct 18) Looking WSW
35.1814, -97.44Friday Night Light, Part 2
After the Part 1 shot with the stalwart midrange focal-length lens, I pulled out the zoom camera with its big, heavy metal tube lens, affectionately known as the “sewer pipe”, and focused on the farther elements, reddening with time, but also with distance as sunlight traversed more of the blue-filtering troposphere. A richly variegated array of mostly high clouds swept across the sky, reflecting different intensities and tones of bright gold to rust-red back to sensors in both the camera and the eyeballs. It was as if every conceivable subdivision of the field of view was its own unique sky. Then I let the tones naturally redden even stronger in the distance and zoomed way in for Part 3…
Norman OK (19 Oct 18) Looking WSW
35.1814, -97.44